Tonpsychologie: Volume 1 (Cambridge Library Collection - Music) (German Edition) Carl Stumpf »

Jun 27, 2013 · Volume 1 is divided into two sections. In the first, Stumpf describes the types of decision made by the human mind. In the second, he attempts to explain the connection between specific sounds and the decision-making process. Feb 07, 2008 · Tonpsychologie by Stumpf, Karl, 1848-1936. Publication date 1883 Topics Music Publisher Leipzig: S. Hirzel Collection americana Digitizing sponsor Google Book from the collections of University of Michigan Language German Volume 2. Book digitized by Google from the library of the University of Michigan and uploaded to the Internet Archive by. The German polymath Carl Stumpf 1848-1936 influenced one of the most significant philosophical developments of the early twentieth century: his student, Edmund Husserl, founded modern phenomenology. In a distinguished academic career spanning more than five decades, Stumpf also contributed to the growth of Gestalt psychology and ethnomusicology. Jan 28, 2009 · Bibliography. A complete bibliography of Stumpf’s publications and manuscripts has been published in D. Fisette and R. Martinelli eds., 2015, Philosophy from an Empirical Standpoint.Essays on Carl Stumpf, Amsterdam: Rodopi. Primary Sources.

In this text Carl Stumpf set out a path-breaking hypothesis on the earliest musical sounds in human culture. Alongside his research in such diverse fields as classical philosophy, acoustics, and mathematics, Stumpf became one of the most influential psychologists of the late 19th century. 1 For a complete bibliography of Stumpf’s writings, see [Fisette 2015a].; 1 Born in 1848, Carl Stumpf was appointed professor of philosophy in 1873 at the age of 25, in Würzburg. He ended his career as professor of philosophy and director of the Institute of Psychology in Berlin. Although he officially retired from teaching in 1923 [Stumpf 1924, 411], at the end of his life in 1936, Stumpf. This investigation of the nonmusical individual had a prehistory in the work of Carl Stumpf. In the two volumes of his Tonpsychologie Psychology of Tones, published in 1883 and 1890 and encompassing more than fifteen years’ research, Stumpf examined the psychological functions involved in hearing music. This extensive treatise started with the simplest element in music, the tone relation.

Stumpf founded the Phonogrammarchiv 1900 to collect recordings of folk and extra-European music and a dedicated journal, the Sammelbände für vergleichende Musikwissenschaft. Cambridge Core - Nineteenth-Century Music - Metaphors of Depth in German Musical Thought - by Holly Watkins Please note, due to essential maintenance online transactions will not be possible between 02:30 and 04:00 BST, on Tuesday 17th September 2019 22:30-00:00 EDT, 17 Sep, 2019.

Whether readers of Trippett’s volume are interested in nineteenth-century German psychology, politics, scientific thought, legal history, or simply fresh thinking on Wagner’s music, his conceptions of melodic writing, and his relationships with singers, there is a great. The Carl Stumpf-Wilhelm Wundt debate about tone-differentiation experimentation narrowed the conception of hearing. Stumpf, C. 1883. Tonpsychologie, Vol. 1. Leipzig, Germany: Breitkopf und.

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