Shakespeare Performance Studies W. B. Worthen » holypet.ru

Aug 11, 2014 · This book is of interest to scholars and advanced students of Shakespeare and of performance studies. W. B. Worthen is the author of many books on drama, performance theory, and Shakespeare, including The Idea of the Actor 1984, Modern Drama and the Rhetoric of Theater 1992, Shakespeare and the Authority of Performance Cambridge, 1997, Shakespeare and the Force of Modern Performance. Taking a 'performance studies' perspective on Shakespearean theatre, W. B. Worthen argues that the theatrical event represents less an inquiry into the presumed meanings of the text than an effort to frame performance as a vehicle of cultural critique.

Taking a 'performance studies' perspective on Shakespearean theatre, W. B. Worthen argues that the theatrical event represents less an inquiry into the presumed meanings of the text than an effort to frame performance as a vehicle of cultural critique. Using contemporary performances as test. Jan 03, 2017 · Description Taking a 'performance studies' perspective on Shakespearean theatre, W. B. Worthen argues that the theatrical event represents less an inquiry into the presumed meanings of the text than an effort to frame performance as a vehicle of cultural critique. Shakespeare Performance Studies. William B. Worthen. Cambridge: Cambridge University Press, 2014. x þ 254 pp. $95. This book compiles and synthesizes nearly a decade’s worth of new work on the challenging questions that W. B. Worthen has been asking since his groundbreaking.

Moved Permanently. The document has moved here. Author by: W. B. Worthen Languange: en Publisher by: Cambridge University Press Format Available: PDF, ePub, Mobi Total Read: 87 Total Download: 316 File Size: 51,5 Mb Description: This book looks at Shakespeare through performance, capturing the dialogue between performance, Shakespeare, and contemporary concerns in the humanities. W. B. Worthen, Alice Brady Pels Professor in the Arts, and Professor and Chair of the Department of Theatre Barnard, is the author of several books, including The Idea of the Actor Princeton University Press, 1984, Modern Drama and the Rhetoric of Theater Univ. of California Press, 1993, Shakespeare and the Authority of Performance Cambridge University Press, 1997, Shakespeare and the Force. Before joining Barnard's faculty in 2008, W. B. Worthen taught at the University of Michigan, University of California at Berkeley, University of California at Davis, Northwestern University, and University of Texas at Austin. He has been a visiting professor at Columbia University, taught at the Bread Loaf School of English at Middlebury College, and was a founding faculty member of the.

New book by Prof. W.B. Worthen explores Shakespeare performance as vehicle for cultural critique Theatre professor's book focuses on three imaginative performances: the Nature Theater of Oklahoma’s 2009 production of “Romeo and Juliet,” Punchdrunk Theatre’s wordless “Macbeth," Sleep No More,” and Michael Almereyda's 2000 film, “Hamlet.”. Jul 05, 2014 · Buy Shakespeare Performance Studies by Worthen, W. B. online on Amazon.ae at best prices. Fast and free shipping free returns cash on delivery available on eligible purchase.

W.B. Worthen argues that the text cannot govern the force of its performance. Instead, the text becomes significant only as embodied in the changing conventions of its performance. Worthen explores this understanding of dramatic performativity by interrogating several contemporary sites of Shakespeare production. Shakespeare Performance Studies W. B. Worthen. SINOPSIS. Taking a 'performance studies' perspective on Shakespearean theatre, W. B. Worthen argues that the theatrical event represents less an inquiry into the presumed meanings of the text than an effort to frame performance as a vehicle of cultural critique. Using contemporary performances as. Shakespeare Performance Studies, Paperback by Worthen, W. B., ISBN 1107628237, ISBN-13 9781107628236, Brand New, Free shipping in the US Taking a 'performance studies' perspective on Shakespearean theatre, W. B. Worthen argues that the theatrical event represents less an inquiry into the presumed meanings of the text than an effort to frame performance as a vehicle of cultural critique.

Mar 24, 2003 · Worthen explores this understanding of dramatic performativity by interrogating several contemporary sites of Shakespeare production. The book includes detailed discussions of recent films and stage productions, and sets Shakespeare performance alongside other works of contemporary drama and theatre. Shakespeare Performance Studies Kivy’s framing here conveniently displays the problems engrained in regarding theatrical performance as delivering a textual interpretation, a “reading.” First. W. B. Worthen is Alice Brady Pels Professor in the Arts and Professor and Chair of the Department of Theatre at Barnard College, Columbia University; he also serves as Co-Chair of the PhD Program in Theatre at Columbia and is Professor in the Theatre Division of the School of the Arts and in the Department of English and Comparative Literature. Jan 30, 2003 · W. B. Worthen is Professor and Chair of the Department of Theater, Dance, and Performance Studies at the University of California, Berkeley. He is the author of The Idea of the Actor: Drama and the Ethics of Performance 1984, Modern Drama and the Rhetoric of Theater 1992, Shakespeare and the Authority of Performance Cambridge, 1997, and of a wide range of articles.

W.B. Worthen is the chair of Barnard’s department of theatre. He teaches courses in drama and performance theory, modern theatre, and Shakespeare and performance. He is co-director of the Ph.D. in theatre program at Columbia, where he also teaches in the department of English and comparative literature. W. B. Worthen is Alice Brady Pels Professor in the Arts, and Chair of the Theatre Department at Barnard College. He is also co-chair of the Ph.D. Program in Theatre at Columbia University, where he is appointed as Professor of English and Comparative Literature.

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