Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer Jennifer Bain » holypet.ru

Since her death in 1179, Hildegard of Bingen has commanded attention in every century. In this book Jennifer Bain traces the historical reception of Hildegard, focusing particularly on the moment in the modern era when she began to be considered as a composer. Book description. Since her death in 1179, Hildegard of Bingen has commanded attention in every century. In this book Jennifer Bain traces the historical reception of Hildegard, focusing particularly on the moment in the modern era when she began to be considered as a composer.

Reviewed Title: Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer by Jennifer Bain. Cambridge: Cambridge University. Hildegard's music has had much wider circulation since the 1850s than it ever had in the Middle Ages. See Bain, Jennifer, Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer Cambridge, 2015 CrossRef Google Scholar. 4 Gmelch, Joseph, ed., Die Kompositionen der heil. Lost In A Book have Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer in stock. Order 3–4 online today. Jennifer Bain‘s recent book, Hildegard of Bingen and Musical Reception: The Modern Revival of Medieval Composer Cambridge University Press,2015, charts the 19th-century reception of Hildegard’s life and music, and in doing so provides valuable perspective on.

Read "Hildegard of Bingen and Musical Reception The Modern Revival of a Medieval Composer" by Jennifer Bain available from Rakuten Kobo. Since her death in 1179, Hildegard of Bingen has commanded attention in every century. In this book Jennifer Bain traces. Bain, Jennifer. Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer. Cambridge and New York: Cambridge University Press, 2015. xiii, 235 pp. Bañagale, Ryan Raul. Arranging Gershwin: “Rhapsody in Blue” and the Creation of an American Icon. Oxford and New York: Oxford University Press, 2014. xv, 209 pp. Hildegard of Bingen and Musical Reception: the Modern Revival of a Medieval Composer. Cambridge, UK: Cambridge University Press, 2015. D. McGrady and J. Bain, eds. A Companion to Guillaume de Machaut. Leiden, The Netherlands: Brill Publishers, 2012, 414 pages. J. Bain, guest editor. Journal of Music Theory 52/1 2008, 184 pages [issued 2009].

Dec 15, 2019 · Her book, Hildegard of Bingen and Musical Reception: the Modern Revival of a Medieval Composer, was published by Cambridge University Press in 2015. The German revival of Hildegard If, generated by an association with the New Age, the revival of Hildegard von Bingen prompted a certain scepticism among scholars and performers of early music, Jennifer Bain’s engagingly written and in-depth history puts this scepticism to rest. Hildegard of Bingen. Her book, Hildegard of Bingen and Musical Reception: the Modern Revival of a Medieval Composer, was published by Cambridge University Press in 2015. Olivia Sparkhall is a choral conductor, composer and head of academic music at Godolphin School, Salisbury. A passionate advocate for equality, Olivia is co-director of. Jennifer Bain. focus on the reception and analysis of medieval music and the development of digital chant research tools and her book Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer, was published by Cambridge University Press in 2015.

Medieval Music 9/1 2000: 59–62 59. 3 Ibid., 60. 2 O virga ac diadema – historiography of a song ' in this web se rvice Cambridge University Pres s cambridgCambri dge Univ ersi ty Pr ess 978-1-107-07666-2 - Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer Jennifer Bain Excerpt. Jennifer Bain, Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer. Cambridge: Cambridge University Press, 2015. xiii . Review: Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer, by Jennifer Bain Barbara Eichner pp. 255-260 DOI: 10.1525/jams.2018.71.1.255. Hildegard von Bingen was a Benedictine nun, eventually an abbess, whose 2 On medievalism in music and popular culture, see Simon Trafford and Aleks Pluskowski, “Antichrist Superstars: The Vikings in Hard Rock and Heavy Metal,” Mass Market Medieval: Essays on the Middle.

A composer has surely “arrived” when not only her life and works are being studied but also her afterlife. In Hildegard of Bingen and Musical Reception Jennifer Bain asserts that, despite certain academic misgivings about the Hildegard “hype” among the “fandom” p. 2, “in musicology, the Hildegard revival is in a sense complete” p. 6. To cite just one example, the recent.Apr 01, 2018 · Barbara Eichner. Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer, by Jennifer Bain. Cambridge and New York: Cambridge University Press, 2015. xiii, 235 pp. A composer has surely “arrived” when not only her life and works are being studied but also her afterlife. In Hildegard of Bingen and Musical Reception Jennifer Bain asserts that, despite certain academic misgivings about the Hildegard.

Hildegard of Bingen and musical reception Jennifer BAIN The modern revival of a medieval composer Livre en anglais Livre - Relié sous jaquet Cambridge University Press Référence: 9781107076662 1 vol., 272 p. - 2015 LES THÉMATIQUES > Les Hommes > Compositeurs EN STOCK. Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer. Cambridge University Press. pp. 119–120. ISBN 978-1-31-629967-8.

Bain, Jennifer. Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer. Cambridge and New York: Cambridge University Press, 2015. xiii, 235. pp. Bañagale, Ryan Raul. Arranging Gershwin: “Rhapsody in Blue” and the Creation of an American Icon. Medieval Studies in Canada. Prizes. Margaret Wade Labarge. Leonard Boyle Dissertation Prize. Student Presentation Prize. About. Florilegium. Call for Submissions. Accueil. Les annonces. Information pour nos membres. Abonnements. Abonnements cadeaux et des dons. Médiéviste présente. Projets de.

  1. Reviewed in the United States on November 6, 2016. Verified Purchase. Jennifer Bain gives an original contribution to Hildegard studies, not only in the field of music - indeed, her work tackles a rather new subject, i.e. the nineteenth century revival of Hildegard's fame in German Catholic culture.
  2. May 14, 2015 · Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer - Kindle edition by Bain, Jennifer. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer.
  3. Dec 14, 2017 · In this book Jennifer Bain traces the historical reception of Hildegard, focusing particularly on the moment in the modern era when she began to be considered as a composer. Bain examines how the activities of clergy in nineteenth-century Eibingen resulted in increased veneration of Hildegard, an authentication of her relics, and a rediscovery of her music.
  4. Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer. Byjennifer Bain. Cambridge: Cambridge University Press, 2015. [xiii, 235 p. ISBN 9781107076662 hardcover, $99.99; ISBN 9781316309711 e-book, $80.] Music examples, illustrations, discogra phy, bibliography, index. In 2001, the Swedish folk-rock band.

Jennifer Bain. Hooked on Ecstasy: Performance 'Practice' and Reception of the Music of Hildegard von Bingen. The Sounds and Sights of Performance in Medieval and Renaissance Music: Essays in Honour of Timothy J. McGee Ashgate, 2009, 253-273. Jennifer Bain. Selected Antiphons of Hildegard von Bingen: Notational and Structural Design. M.A. Thesis. Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer by Jennifer Bain review Margot Fassler; pp. 306-308; View Download contents. Rounding Wagner's Mountain: Richard Strauss and Modern German Opera by Bryan Gilliam review David Larkin; pp. 308-311; View Download contents. Opera and Modern Spectatorship in Late Nineteenth-Century Italy. By Alessandra Campana. Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer. By Jennifer Bain. Margot Fassler. Music Lett, Volume 98, Issue 2, May 2017, Pages 306–308. Higdon, Jennifer Raines, Robert. 2015. Composition in the digital world: conversations with 21st century American composers. New York, NY: Oxford University Press. Hildegard of Bingen Bain, Jennifer. 2017. Hildegard of Bingen and musical reception: the modern revival of a medieval composer. Cambridge University Press. Jennifer Bain at Dalhousie University is an expert in Medieval music, Music of Guillaume de Machaut, Music of Hildegard of Bingen and Women composers Jennifer Bain, Dalhousie University Associate Professor Music Halifax, Nova Scotia bainj@dal.ca Office: 902 494-2418.

In alphabetical order, we have a book authored by Jennifer Bain. The book is called, “HILDEGARD OF BINGEN and Musical Reception, The Modern Revival of a Medieval Composer”. The book is an achievement for sure. Jennifer said she tried to write the book in such a way that both academics and non-academics would find it enjoyable and. Hildegard of Bingen recognized what the holistic health movement has only recently restored to our consciousness: that full health can only be experienced in a state of spiritual balance. Rooted in the Sky is a detailed study of the medicine of Hildegard of Bingen, a medieval mystic, theologian and composer, who also wrote a practical. Hildegard of Bingen and Musical Reception The Modern Revival of a Medieval Composer - ebook ePub Jennifer Bain Auteur Since her death in 1179, Hildegard of Bingen.

Buffalo Girl Cooks Bison - Ebook written by Jennifer Bain. Read this book using Google Play Books app on your PC, android, iOS devices. Download for offline reading, highlight, bookmark or take notes while you read Buffalo Girl Cooks Bison. Hildegard von Bingen 1098-1179. Before 1989, Hildegard’s music, like that of most women composers, was completely absent from standard music history textbooks.2 While she merited only a single paragraph in a 1989 textbook devoted entirely to medieval music, today she is a featured composer in the latest edition of the widely-used.

Notes: Quarterly Journal of the Music Library Association, is regarded as the foremost scholarly journal for music libraries and librarianship.For nearly sixty years, Notes has presented interesting, informative, and well-written articles on music librarianship, music bibliography, the music trade, discography, and certain aspects of music history.

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