Gender, Race, and Mourning in American Modernism Greg Forter » holypet.ru

Greg Forter’s Gender, Race, and Mourning in American Modernism is a welcome contribution to a growing body of scholarship on the affective politics of canonical modernism in the United States. Building on recent work by literary critics such as Seth Moglen, Justus Nieland, and Heather Love but also in dialogue with cultural historians of masculinity and contemporary theorists of mourning and trauma, Forter explores how American modernism. American modernist writers' engagement with changing ideas of gender and race often took the form of a struggle against increasingly inflexible categories. Greg Forter interprets modernism as an effort to mourn a form of white manhood that fused the 'masculine' with the 'feminine'. Gender, Race, and Mourning in American Modernism demonstrates the fruitful possibilities of such interdisciplinary innovation. Greg Forter brings together historians' analyses of US manhood, theories of mourning and trauma, and a methodology grounded in close reading and formal analysis in his compelling account of the gender struggles. GENDER, RACE, AND MOURNING IN AMERICAN MODERNISM American modernist writers’ engagement with changing ideas of gender and race often took the form of a struggle against increas-ingly inflexible categories. Greg Forter interprets modernism as an effort to mourn a form of white manhood that fused the “mascu-line” with the “feminine.”.

Gender, Race, and Mourning in American Modernism. Find all books from Greg Forter. At find-more- you can find used, antique and new books, compare results and immediately purchase your selection at the best price. 9781107004726. An original study. "American modernist writers' engagement with changing ideas of gender and race often took the form of a struggle against increasingly inflexible categories. Greg Forter interprets modernism as an effort to mourn a form of white manhood that fused the 'masculine' with the 'feminine'.

Greg Forter interprets modernism as an effort to mourn a form of white manhood that fused the 'masculine' with the 'feminine'. Examining works by Fitzgerald, Hemingway, Faulkner and Cather, Forter shows how these writers shared an ambivalence toward the feminine and an unease over existing racial. Download Citation Gender, Race, and Mourning in American Modernism review "Make it new!" cried Ezra Pound and, in our apocryphal account of literary modernism, innovations from James Joyce's.

Race, Gender, and Comparative Black Modernism revives and critiques four African American and Francophone Caribbean women writers sometimes overlooked in discussions of early-twentieth-century literature: Guadeloupean Suzanne Lacascade dates unknown, African American Marita Bonner 1899-1971, Martinican Suzanne Césaire1913-1966, and African American Dorothy West 1907-1998. Race, Gender, and Comparative Black Modernism revives and critiques four African American and Francophone Caribbean women writers sometimes overlooked in discussions of early-twentieth-century literature: Guadeloupean Suzanne Lacascade dates unknown, African American Marita Bonner 1899–1971, Martinican Suzanne Césaire 1913–1966, and African American Dorothy West. Gender, Race, and Mourning in American Modernism - by Greg Forter April 2011 Skip to main content Accessibility help We use cookies to distinguish you from other users and to provide you with a better experience on our websites.

Gender, Race, and Mourning in American Modernism Greg Forter

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