Ware, Catherine. Claudian and the Roman epic tradition / Catherine Ware. p. cm. Includes bibliographical references and index. isbn 978-1-107-01343-8 hardback 1. Claudianus, Claudius – Criticism and interpretation. 2. Epic poetry, Classical – History and criticism. 3. Rome – In literature. I. Title. pa6374.w37 2012 871´.01 – dc23 2012002685. Claudian and the Roman Epic Tradition, Cambridge University Press Catherine Ware, University of Liverpool The historical importance of Claudian as writer of panegyric and propaganda for the court of Honorius is well established but his poetry has been comparatively neglected: only recently has his work been the subject of modern literary criticism.
Review of Ware, Claudian and the Roman Epic Tradition. Discussing first what we understand by epic and its relevance for late antiquity, Catherine Ware argues that, like Virgil and later Roman epic poets, Claudian analyses his contemporary world in terms of classical epic. Catherine Mary Ware, 'The poetics of Claudian: panegyric in the ancient epic tradition', [thesis], Trinity College Dublin, Ireland. Department of Classics, 2006, pp 326 Download Item. Taking as its starting point Claudian's claim to be the heir to Virgil, this book examines his poetry as part of the Roman epic tradition. Discussing first what we understand by epic and its relevance for late antiquity, Catherine Ware argues that, like Virgil and later Roman epic poets, Claudian analyses his contemporary world in terms of.
Claudian and the Roman Epic Tradition by Catherine Ware 2012-05-24: Catherine Ware: Books - Amazon.ca. Claudian Panegyricus de Sexto Consulatu Honorii Augusti Oxford Clarendon Press, 1996. Slavitt, David R., translator. Broken Columns: Two Roman Epic Fragments: The Achilleid of Publius Papinius Statius and The Rape of Proserpine of Claudius Claudianus, with an Afterword by David Konstan Philadelphia: University of Pennsylvania Press, 1997. 978-1-107-01343-8 - Claudian and the Roman Epic Tradition Catherine Ware Index More information. 246 Index locorum Claudian carmina minora 20.1212 20.9212.n.40 27.83–888 31 64.n.158 40 5.n.12 41 5.n.12 41.14 65, 80 48 6 53.1131 53.29 131 53.31–4131 53.62–4131 53.41 125.n.41 De bello Getico. My doctoral research concerned the Roman epic tradition, particularly how it developed in late antiquity in the work of the court poet Claudian. This led to a monograph, 'Claudian and the Roman. 6. Tradition and originality: Allusion in Valerius Flaccus' Lemnian episode - Ray Clare 7. The repetitions of Hypsipyle - Bruce Gibson 8. Claudian: The epic poet in the prefaces - Catherine Ware PART III: RECEPTIONS: REINVENTING CLASSICAL EPIC 9. Approaching Christian epic: The preface of Juvencus - Roger Green 10.
Aug 13, 2013 · Catherine Ware, Claudian and the Roman Epic Tradition. Cambridge; New York: Cambridge University Press, 2012. Pp. ix, 266. ISBN 9781107013438. $99.00. Reviewed by Clare Coombe, University of Bristol clare.coombe@bristol. Version at BMCR home site. Preview. RBPh 43 1965, 60-1; C. Ware, Claudian and the Roman Epic Tradition Cambridge, 2012, 171-97. 2 On the word see further R.G. Austin, P. Vergili Maronis Aeneidos Liber Secundus Oxford, 1964 on Aen. 2.602, and for Claudian's use of it see M. Dewar, Claudian: Panegyricus de Sexto. Catherine Ware’s “Gildo tyrannus: Accusation and Allusion in the Speeches of Roma and Africa” pp. 96-103 supplements recent political readings of the poem with an appreciation of how Claudian uses allusion to define the character of the African usurper Gildo. 3 After briefly summarizing the historical background to the poem, Ware. Lucan and Claudian: Context and Intertext. Valéry Berlincourt Ed. other topics, such as Latin poetic style, history and the uses of mythology, the Roman epic tradition, and the whole question of the development of literary cultures and how they are received., Paolo Esposito, Bruno Bureau, Paul Roche, Catherine Ware, Neil Coffee. Claudian and the Roman epic tradition by Catherine WareClaudian by Claudius Claudianus Book Claudian: poetry and propaganda at the court of Honorius by Alan Cameron Book.
Terra sigillata is a term with at least three distinct meanings: as a description of medieval medicinal earth; in archaeology, as a general term for some of the fine red Ancient Roman pottery with glossy surface slips made in specific areas of the Roman Empire; and more recently, as a description of a contemporary studio pottery technique supposedly inspired by ancient pottery. Lucan and Claudian: Context and Intertext. Valéry Berlincourt Hg. other topics, such as Latin poetic style, history and the uses of mythology, the Roman epic tradition, and the whole question of the development of literary cultures and how they are received., Paolo Esposito, Bruno Bureau, Paul Roche, Catherine Ware, Neil Coffee.
This paper looks at two examples of anagrammatic wordplay in Vergil and Claudian, and argues that in each case the poet carefully signals the presence of the anagram to the reader. The Orphic Argonautica and the Epic Tradition’, dans Roman and Greek Imperial Epic, éd. M. Paschalis. Catherine Ware, Stephen Wheeler and Tony Woodman for. Julio-Claudian dynasty, ad 14–68, the four successors of Augustus, the first Roman emperor: Tiberius reigned 14–37, Caligula 37–41, Claudius I 41–54, and Nero 54–68. It was not a direct bloodline. Augustus had been the great-nephew and adopted son of Julius Caesar of the Julia gens. Ware, Catherine. 2012. Claudian and the Roman Epic Tradition. Cambridge; New York: Cambridge University Press. Wheeler, Stephen. 2007. “More Roman than the Romans of Rome: Virgilian Self- Fashioning in Claudian’s Panegyric for the Consuls Olybrius and Probinus.” In Texts.
Review of Catherine Ware, Claudian and the Roman Epic Tradition. Cambridge: Cambridge University Press, 2012. Classical Review. Review of Martin T. Dinter, Anatomizing Civil War: Studies in Lucan’s Epic Technique. Ann Arbor: University of Michigan Press, 2012. Classical Journal. Aug 31, 2013 · 2013.08.13: Catherine Ware, Claudian and the Roman Epic Tradition. 2013.08.14: Roman V. Lapyrionok, Der Kampf um die Lex Sempronia agraria. Vom Zensus 125/124 v. Chr. bis zum Agrarprogramm des Gaius Gracchus. Mar 23, 2015 · The Hills of Rome: Signature of an Eternal City by Mark Bradley 292 von reden, s., Money in Classical Antiquity by Peter Fibiger Bang 359 ware, c., Claudian and the Roman Epic Tradition.
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2013.09.08 Catherine Ware, Claudian and the Roman Epic Tradition Review by E.J. Hutchinson. 2013.09.07 Thomas Kohn, The Dramaturgy of Senecan Tragedy Review by Emily Wilson. 2013.09.06 David Sedley, The Philosophy of Antiochus Review by Joseph Mcalhany. 2013.09.05 John Parker, Reading Latin Epitaphs: A Handbook for Beginners with Illustrations. There is no book-length history of neo-Latin epic: though Kallendorf 2014a on epic and Schaffenrath 2015 on narrative poetry, in addition to this chapter, offer starting points. Few poems are available in modern critical editions. Many fifteenth-century epics remain only in manuscript, often in the original deluxe presentation volumes.
Journal of Late Antiquity JLA is the award-winning first international English-language journal dedicated to the study of Late Antiquity writ large.The Journal provides a venue for multi-disciplinary coverage of all the methodological, geographical, and chronological facets of Late Antiquity. All of Late Antiquity will be represented -- from the late and post-classical world up to the. It analyzes Claudian's poetics and use of story telling to argue that the creation of a story world in which Stilicho, his patron, becomes an epic hero, and the barbarians are giants threatening both the borders of Rome and the order of the very universe is designed to convince his audience of a world-view in which it is only the Roman general. 'Seamus Heaney in Virgil's Labyrinth', Catherine Ware, Department of Classics, University College Cork Aeneid 6 had a profound influence on Heaney's poetry. This paper examines his translation of the Daedalus episode Aen. 6.14-37 in the context of the book as a whole but also as a comment on Heaney's understanding of his own literary tradition.
Review of C. Ware, Claudian and the Roman Epic Tradition CJ-Online, 2013.09.08. Review of J. North and S. Price, The Religious History of the Roman Empire Oxford Readings in Classical Studies BMCR 2012.05.09. Review of T. Scheck, St. Jerome’s Commentaries on Galatians, Titus, and. Claudian and the Roman Epic Tradition. Catherine Ware. $69.69. Roman Tragedy. Anthony J. Boyle. $40.49. Controversies Over the Imitation of Cicero in the Renaissance. Izora Scott. $42.29. More by W. Warde Fowler Skip this list. Social life at Rome in the Age of Cicero. LATIN EPIC AND DIDACTIC GALE M. ed. Latin Epic and Didactic Poetry. Genre, Tradition and Individuality. Pp. xxiv264. Swansea: The Classical Press of Wales, 2004. Cased. ISBN 0-9543845-6-3. doi: 10. 1017/S0009840X05000545 This volume, well edited and introduced by. The Roman triumph was a civil ceremony and religious rite of ancient Rome, held to publicly celebrate and sanctify the success of a military commander who had led Roman forces to victory in the service of the state or, originally and traditionally, one who had successfully completed a foreign war. On the day of his triumph, the general wore a crown of laurel and the all-purple, gold.
The Epic Successors of Virgil: A Study in the Dynamics of a Tradition. Cambridge. Ware, C. 2012. Claudian and the Roman Epic Tradition. Cambridge. Author: Tom Created Date. Discussing first what we understand by epic and its relevance for late antiquity, Catherine Ware argues that, like Virgil and later Roman epic poets, Claudian analyses his. Examines the imperial mythology that was reflected by Roman art and architecture during the rule of Augustus Caesar. Publisher: Brill Archive; ISBN: N.A; Category: Latin philology; Page: 316; View: 4792; DOWNLOAD NOW » Claudian and the Roman Epic Tradition. Author: Catherine Ware; Publisher: Cambridge University Press; ISBN: 1107013437.
"Roman Wall Paintings from Boscotrecase: Three Studies in the Relationship Between Writing and Painting." Metropolitan Museum Journal, Vol. 28 1993. New York: The Metropolitan Museum of.
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