Classical Rhetoric and the Visual Arts in Early Modern Europe Caroline van Van Eck » holypet.ru

Aug 27, 2007 · In this book, Caroline van Eck examines how rhetoric and the arts interacted in early modern Europe. She argues that rhetoric, though originally developed for persuasive speech, has always used the visual as an important means of persuasion, and hence offers a number of strategies and concepts for visual persuasion as well. Caroline van Eck is Professor of the History and Theory of Architecture at Leiden University. But here she cuts a wider swathe to include painting and sculpture in her examination of the role of rhetoric and the practices of classical rhetoric within what she calls the visual persuasion of the arts in Early Modern Europe. In classical philosophy there had always been a language to speak of the arts as depiction, “the visual representation of the thing” as the English humanist George Puttenham. classical rhetoric and the arts in early modern europe. In this book Caroline van Eck examines what roles classical rhetoric played in visual persuasion in the arts and architecture of early modern Europe. Rhetoric is the study of persuasive communication. Originally its main concern was persuasive speech, but from its first systematic treatments by Aristotle, Cicero and Quintilian it gave great importance to the use of visual means of persuasion gesture.

Biography: Caroline van Eck studied art history at the Ecole du Louvre in Paris, and classics and philosophy at Leiden University. In 1994 she obtained her PhD in aesthetics cum laude at the University of Amsterdam. She has taught at the Universities of Amsterdam, Groningen and Leiden, where she was appointed Professor of Art and Architectural History in 2006. Caroline Alexandra van Eck born 22 July 1959 is a Dutch art historian and academic, specialising in the art and architecture of the early modern period.Since 2016, she has been Professor of Art History at the University of Cambridge and a Fellow of King's College, Cambridge.She was Professor of Art and Architecture before 1800 at Leiden University from 2006 to 2016, and previously taught at. The central claim of Caroline van Eck’s new book is that classical rhetoric’s treatment of the non-verbal and figurative aspects of persuasive communication influenced both the producers and consumers of visual art and architecture in early modern Europe. Primarily drawing on discussions. Mar 31, 2010 · The Visual Arts and the Theatre in Early Modern Europe. Caroline Van Eck. Search for more papers by this author. Stijn Bussels. Search for more papers by this author. Livia Lupi, The Rhetoric of Fictive Architecture.

Eck C.A. van 2007, Classical Rhetoric and the Arts in Early Modern Europe. Cambridge/New York: Cambridge University Press. boek; Eck C.A. van 2006, Longinus' Essay on the Sublime and the "Most Solemn and Awfull Appearance" of Hawksmoor's Churches, Georgian Group Journal 15: 1. 94 See Caroline van Eck, Classical Rhetoric and the Visual Arts in Early Modern Europe Cambridge: Cambridge University Press, 2007, 24–25. We might claim that the prints meet the criteria for the fourth of the virtutes dicendi: latinitas correct or “pure” Latin, given the quality of the Latin Stabius used for their dedications and.

ISBN 978-0-89236-924-9 cloth. classical rhetoric anD the Visual arts in early MoDern europe, by Caroline van Eck. Pp. xii223, figs. 59. Cambridge University Press, Cambridge 2007. $80. Sep 15, 2017 · Caroline van Eck is a professor of Art and Architecture before 1800 at the Leiden University Centre for the Arts in Society. The interactions between rhetoric and the visual arts, in particular the sublime. Classical Rhetoric and the Arts in Early Modern Europe Cambridge en New York: Cambridge University Press 2007. 978-0-521-84435-2 - Classical Rhetoric and the Arts in Early Modern Europe Caroline Van Eck Excerpt More information. But can the persuasive strategies developed originally for persuasive speech be. we need to look first at visual persuasion in classical rhetoric. A good place to begin is gesture.

Apr 01, 2009 · The central claim of Caroline van Eckâ s new book is that classical rhetoricâ s treatment of the non-verbal and ï¬ gurative aspects of persuasive communication inï¬ uenced both the producers and consumers of visual art and architecture in early modern Europe. Oct 18, 2011 · Notes on Contributors. 1. The Visual Arts and the Theatre in Early Modern Europe Caroline Van Eck and Stijn Bussels. 2. 8216;Theatricality' in Tapestries and Mystery Plays and its Afterlife in Painting Laura Weigert. 3.

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