Choral Fantasies: Music, Festivity, and Nationhood in Nineteenth-Century Germany Ryan Minor » holypet.ru

May 28, 2012 · Ryan Minor tells the story of amateur, middle-class choral singing when it took on the characteristics we recognize today. Four case studies focused on individual compositions connect the ideals of participatory choral singing to the national culture of public festivals in nineteenth-century Germany. Apr 05, 2012 · Ryan Minor is Associate Professor of Music at the State University of New York, Stony Brook. His research focuses primarily on the musical and political culture of nineteenth- and early twentieth-century Germany, with special emphasis on opera, choral music and music's participation in the public sphere. May 28, 2012 · Ryan Minor is Associate Professor of Music at the State University of New York, Stony Brook. His research focuses primarily on the musical and political culture of nineteenth- and early twentieth-century Germany, with special emphasis on opera, choral music and music's participation in the public sphere. Choral Fantasies by Minor, Ryan ebook Choral Fantasies: Music, Festivity, and Nationhood in Nineteenth-Century Germany by Ryan Minor. Most histories of nineteenth-century music portray 'the people' merely as an audience, a passive spectator to the music performed around it. Ryan Minor's Choral Fantasies is one of the few monographs to turn a lens on the widespread phenomenon of choral music making in the nineteenth century.

Choral Fantasies: Music, Festivity, and Nationhood in Nineteenth-Century Germany by Ryan Minor. Cambridge and New York: Cambridge University Press, 2012. viii, 275 pp. Ryan Minor’s Choral Fantasiesis one of the few monographs to turn a lens on the widespread phenomenon of choral music making in the nineteenth century. Cambri dge U niv ersity Pr ess 978-0-521-76071-3 - Choral Fantasies: Music, Festivity, and Nationhood in Nineteenth-Century Germany Ryan Minor.

Most histories of nineteenth-century music portray 'the people' merely as an audience, a passive spectator to the music performed around it. Yet, in this reappraisal of choral singing and public culture, Minor shows how a burgeoning German bourgeoisie sang of its own collective aspirations, mediated through the voice of celebrity composers. As both performer and idealized community, the chorus. Oct 26, 2016 · Ryan Minor Choral Fantasies: Music, Festivity, and Nationhood in Nineteenth-Century Germany Cambridge: Cambridge University Press, 2012 6. Alexander Ringer ‘The Rise of Urban Musical Life between the Revolutions, 1789–1848’ chap. 1 in Alexander Ringer ed.. Ryan Minor's research and teaching focus primarily on the musical and political culture of Germany in the “long” nineteenth century, with special emphasis on opera, the chorus, and music's participation in the public sphere; his interests also encompass operatic staging and dramaturgy, nationalism, and the politics of musical spectatorship in. Choral Fantasies: Music, Festivity, and Nationhood in Nineteenth-Century Germany. Find all books from Ryan Minor. At find-more- you can find used, antique and new books, compare results and immediately purchase your selection at the best price. 9780521760713. Most histories of nineteenth-century.

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