Britten's Unquiet Pasts: Sound and Memory in Postwar Reconstruction (Music since 1900) Heather Wiebe » holypet.ru

ReviewBritten's Unquiet PastsSound and Memory in.

Heather Wiebe's book examines educational, occasional and religious works of Benjamin Britten that engage both with the distant past and with key episodes of postwar reconstruction, elucidating the role of music in mid-century British culture while exploring issues of memory. Dec 01, 2015 · Britten's Unquiet Pasts: Sound and Memory in Postwar Reconstruction, by Heather Wiebe. In Michael Powell and Emeric Pressburger's 1944 film A Canterbury Tale the wartime “Land Girl” Allison, on her day off from agricultural duties, gazes down from a Kent hill at the glittering spires of the medieval cathedral. Wiebe addresses this question using a wide range of sources, from planning documents to journalism, public ceremonial and literature. Its central focus, however, is a set of works by Benjamin Britten that engaged both with the distant musical past and with key episodes of postwar reconstruction, including the Festival of Britain, the Coronation. Britten's unquiet pasts: sound and memory in postwar reconstruction. Heather Wiebe (Music since 1900). is a set of works by Benjamin Britten that engaged both with the distant musical past and with key episodes of postwar reconstruction, including the Festival of Britain, the Coronation of Elizabeth II and the rebuilding of Coventry.

Britten's Unquiet Pasts: Sound and Memory in Postwar Reconstruction Music since 1900: Wiebe, Heather: 9780521194679: Books - Amazon.ca. Britten's Unquiet Pasts: Sound And Memory In Postwar Reconstruction Music since 1900 - Hitta lägsta pris hos PriceRunner Jämför priser från 2 butiker SPARA på ditt inköp nu! Cambridge Core - Twentieth-Century and Contemporary Music - Britten's Unquiet Pasts - by Heather Wiebe Skip to main content Accessibility help We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Wiebe, Britten's Unquiet Pasts, 2015, Buch, 978-1-107-50782-1. Bücher schnell und portofrei. HEATHER WIEBE is Assistant Professor of Music at the University of Virginia. A member of the editorial board of the Opera Quarterly, she has published widely on twentieth-century music, British musical culture, and opera. © in this web service Cambridge University Press.

Wiebe, Britten's Unquiet Pasts, 2012, Buch, 978-0-521-19467-9. Bücher schnell und portofrei. May 03, 2015 · Heather Wiebe is Assistant Professor of Music at the University of Virginia. A member of the editorial board of The Opera Quarterly, she has published widely on twentieth-century music, British musical culture and opera. show more. Britten's unquiet pasts: sound and memory in postwar reconstruction / Heather Wiebe. p. cm. – Music Since 1900 Includes bibliographical references and index. ISBN 978-0-521-19467-9 1. Britten, Benjamin, 1913–1976 – Criticism and interpretation. 2. Music – Great Britain – 20th century – History and criticism. 3. Reconstruction 1939–1951 – Great Britain. 4. World War, 1939–1945 – Music and the. Jul 16, 2018 · Britten’s Unquiet Pasts Examining the intersections between musical culture and a British project of reconstruction from the 1940s to the early 1960s, this study asks how.

Britten's Unquiet PastsSound And Memory In Postwar.

Britten's Unquiet Pasts - Sound and Memory in Postwar Reconstruction - Heather Wiebe - 楽天Koboなら漫画、小説、ビジネス書、ラノベなど電子書籍がスマホ、タブレット、パソコン用無料アプリで今すぐ読める。. Lee "Britten's Unquiet Pasts Sound and Memory in Postwar Reconstruction" por Heather Wiebe disponible en Rakuten Kobo. Examining the intersections between musical culture and a British project of reconstruction from the 1940s to the early. contemporary music, from the Cambridge University Press Music Since 1900 series. These would include: Jonathan Goldman, The Musical Language of Pierre Boulez: Writings and Compositions 2011 Heather Wiebe, Britten’s Unquiet Pasts: Sound and Memory in Postwar Reconstruction 2012. At the heart of this book are important questions about how music interacts with language and history; memory and trauma; politics and mourning. Wlodarski's detailed musical and cultural analyses provide new models for the assessment of the genre, illustrating the benefits and consequences of musical Holocaust representation in the second half. Rejecting previous characterisations of Bush as political and musical Other, Joanna Bullivant traces his aesthetic project from its origins in the 1920s to its collapse in the 1970s, incorporating discussion of modernism, political song, music theory, opera, and Bush's response to the Soviet music crisis of 1948.

Britten's Unquiet Pasts: Sound and Memory in Postwar Reconstruction (Music since 1900) Heather Wiebe

Britten s Unquiet Pasts.

Britten’s Unquiet Pasts. Sound and Memory in Post War Reconstruction. Heather Wiebe. Music Since 1900 series. Cambridge: University Press, 2012. Hardcover. x239 p. ISBN 978-0521194679. £60.00. Reviewed by Gilles Couderc. Université de Caen.

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